Every once in a while, someone famous dies with whom I had no personal relationship at all. But because of this person’s presence in my life, I still feel like I’ve lost someone. I felt that way when Jim Henson died, and I feel that way today, with the death of Paul Newman.
I have only the most tangential relationship with Newman, as a fellow alumnus of Kenyon College in Ohio. But Newman’s presence was always there; he contributed heavily to the college, making news back in 2007 with the endowment of a $10 million scholarship fund. His quiet philanthropy always impressed me, and maybe even influenced some of my own views of how best we can give back to the world. I also thought his marriage and creative partnership with his wife Joanne Woodward, at least as far as the public was allowed to see, was a role model of what a marriage should be.
But how he was first known to me, and known to most of us, was as an actor. So as a tribute to him, I’d like to give you my personal list of Paul Newman’s best films. How does this pertain to writing? Do you really have to ask? A great actor can make schlock seem palatable, and can make great writing seem like a 7-course feast. These films are the 7-course feasts, my friends.
Cars (2006, story credits by John Lasseter, Joe Ranft and Jorgen Klubian): If you have kids, you probably own this movie. Newman’s portrayal of Doc Hudson took the audience on a moving journey of watching an aging car get the recognition he always deserved.
Nobody’s Fool (1994, novel by Richard Russo and screenplay by Robert Benton): Newman got a chance to display his sense of humor in acting the role of Sully; it’s a wonderful ensemble film.
The Verdict (1982, novel by Barry Reed, screenplay by David Mamet): A carnivore of a film, Newman’s Frank Galvin traveled the road from hell to redemption, all because of a single case. One of the all-time great lawyer films.
The Sting (1973, written by David S. Ward): One of the first movies I ever saw starring Newman, and a completely wild ride as we travel the con with Newman’s Henry Gondorff and Robert Redford’s Johnny Hooker.
Butch Cassidy and the Sundance Kid (1969, written by William Goldman): Hello, boys! The respective hotness of Robert Redford and Newman as young ‘uns drew me in; the engaging story and the fun they clearly had working on the film kept me engaged.
What are some of your favorite Paul Newman films?